Or let’s say you need to photograph a photo-project on men carrying suits. You may be constant by photographing only males in suits, but you probably can have selection by photographing them in different areas, conditions, and with different compositions. If we are constrained when it comes to our metropolis; we learn how to make the most interesting photographs in a boring place. Also when you’re photographing a scene, I advocate shooting both horizontal and vertical photographs.

When we are climbing a mountain, we regularly quit earlier than we make it to the summit. One of the largest misconceptions in images is that you must solely take 1 photo of the scene. While some photographers like William Eggleston use this system, I suppose it’s impractical for almost everyone else.

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